Introduction : Trisha Brown, back to the future Seeing the score : Trillum (1962) Memory and archive : A string: homemade, motor, outside (1966) In a crack between dance and art : "equipment dances" (1968-1971) The economy of gesture : the "accumulations" (1971-1973) To diagram, to dance : Locus (1975) Anthologizing process : Line up (1977) Subjectivity, desire, and the thinking body : Water motor (1978) From the white cube to the black box (1979-1981) The name of the game : Set and reset (1983) and Lateral pass (1985) Abstraction and theatricality : Newark (Niweweorce) (1987) Epilogue : Trisha Brown's archival imagination